Victory to Truth and Honor: A Salutation Like No Other

For me and for so many other street and social documentary photographers, and especially those of us coming from a Humanist position, creating good photos that celebrate humanity and tell stories and show scenes that enrich the viewer, it is not enough to have the right camera, understand composition and the rest. Of course I for one will never know enough to fully do justice to the work I do. But like all things in life, it's a lifelong learning process.

No, for me and those others, the making of good work comes from a broader based learning. It comes from an engagement with other art forms and movements. It comes from an ongoing study into what makes us human, why we do what we do. It comes from a knowledge of how society functions, how we all fit into our environment. In other words, in order to be a good street or social documentary photographer I believe that one has to at least be making the attempt to become a well informed, well rounded, human being.

Today's post isn't directly about these ideas. It's more about an aspect of communication in which we have the opportunity to not only revive an old courtesy that seems to be fading away, but also to let others know a little at least of what drives us: the ongoing and never-ending pursuit of honor and truth.

A while back I reconnected with a very good friend. We'd been out of touch for a many years, and I tell you it was really good to hear from him again. I think we've kind of taken off just where we left off. Anyway, I was looking at old emails from him (he used to send his poetry out to people on his list; ah, the good old days when you had to actually email people to share your writing, thoughts, ideas, whatever), and I noticed a really nice sentence he used on one as a way of signing off. He wrote:

Vishwa dharma ki jai

This is Sanskrit and means (according to my friend), 'victory to universal truth and honour'. When I read this expression, I was moved. Now, I don't have a problem with 'yours sincerely' or 'kind regards' and so on, as ways of signing off  an email or (just imagine)  a letter. Indeed, I think those salutations (is that the right word?) can be meaningful and can carry heartfelt and sincere wishes from one person to another.

However, as with all things we do 'automatically' and as a matter of course, these expressions seem to  have lost much, if not all their true meanings. In fact, how often do we get emails with no such signing off, and with merely the sender's name at the bottom? Actually, now I think about it, I remember emails that have no name signing off. On the face of it that might seem rude, but most often it isn't: people and  the way they communicate are changing; I guess some of these so-called 'niceties' are just naturally going to be lost.

So, when I read my friend's Sanskrit salutation, I thought, hey, I'm going to make sure that I for one do not forget these traditional expressions of good wishes and salutation. And what better salutation for a truth seeker (that's me) than my friend's?

It might be that a wish for the victory of universal truth and honor sounds a bit old fashioned, a bit formal even. Not at all: how up to date, how necessary in our materialistic, fast-paced and sometimes lonely and corrupt world, is it to seek truth and to act with honor. Honor isn't the fuddy-duddy, formal term you might think. Look it up: it's about honesty, truth, right behavior, integrity, all that good and right stuff.

So, I'm going to try to use this great salutation whenever I can. After all, it does say a lot about my attitude to my work as a street and social documentary photographer.

And my message to you, dear reader? Vishwa dharma ki jai

A Rose by Any Other Name is Still a Rose, But Would it Smell as Sweet? Photography & Language

Recently I've read a couple of posts on various blogs about the language of photography. I don't mean here the ability of a photograph to communicate an idea or story or whatever. No, I'm referring to the language we use when talking about things photographic. There is a school of thought that asserts that the language we use is aggressive and violent. I would add one more word to these two: acquisitive. Obviously by the adding of this third word, you, dear reader, are safe in assuming I agree with the first two. Let me try to explain.

What do we say to describe what we have done when we press the shutter of a camera? We will say something like, "I've taken a photo", or if you are a little more posh you might say, "I've captured a lovely scene". And, let's say  you've been out with your camera for the day and you come home and your partner or whoever asks about your day. You might answer, "Great, I got some terrific shots." And, my favourite: you post a photo in an online gallery or group and one or more of your fellow onliners will say something like, "Wow. What a shot. You really nailed him/her/it didn't you?"

I hope by now you are beginning to get where I'm going with this. taken, shot, captured, nailed. All rather harsh words aren't they? And really, are they truly accurate or appropriate for what we do as photographers? Look at the image above for example. It is, in my opinion, a fairly good photograph of a father and his  young daughter. Looks like they are waiting for someone, or perhaps the father is watching something not in the frame. The child has seen the photographer (me by the way) adding a nice layer to the photograph's story. So, what do I say about this? I could say something like, "I took this shot on the weekend, and I think i've really captured the souls of these people, and I've really nailed the dad's hair, don't you think? I reckon this shot justifies the effort I made on that day to go shooting'. Oh, sorry, I forgot to mention that on that day I was really hunting good street shots.

This all sounds rather unpleasant,don't you think? Of course, don't get me wrong: I'm as guilty as the next 'shooter' of using this kind of language. In reality it is the language of photographers that has been used, I imagine, from the very beginning of the medium. However, it is possible, I think, that the time has come for a thoughtful conversation on whether we should continue using this language or whether we should begin to look at the true nature of our craft or art, and adopt more appropriate words to describe what it is we do and how we do what we do.

To shoot someone or something is quite a violent act; it's a term which is also associated with the use of a gun. A most violent instrument and certainly nothing like a camera surely? De we really 'shoot' with a camera? I think that on the whole there would be few photographers who would seek to harm their subjects with their cameras, so maybe shoot is not the right word for us to be using. At its very mildest a word like 'shoot'  just speaks of aggression.

I added acquisitive as a third way to describe the language we use in the photographic world. Words like take and capture (whether used as verbs or nouns) speak of acquiring or stealing or even kidnapping! And we are doing none of those things with our cameras. There is even a group on a popular online photo sharing site called Soul Snatchers (for readers eager to explore said site, a disclaimer: Before I saw the error of my linguistic ways I was a member of that group, but once my eyes were opened I deleted myself and my photos from the group). We are photographers, are we not? Surely we are not thieves?

This language speaks of what we can either do to our subjects, or of what we can obtain from them. I am beginning to think it might be time for the thoughtful amongst us to start to explore new ways of talking about our art (or craft. More linguistically loaded words) that speak more to what our subjects give to us, and what we can offer to them. I think there is a lot for us to think about here.

Many of us seek to find that decisive moment (thank you Mr Cartier-Bresson), that fleeting gesture, glance, smile. Whatever it is that has inspired us to point (not aim) our camera towards a potential subject. But whose moment is it? Whose gesture do we watch for? Whose smile? The answer is obvious: all these things do not belong to us, they belong to our subjects.

We are allowed into the lives of others, through their spoken or unspoken permission. We are granted access to their moments, their smile, their gestures. We are granted the privilege of being able to photograph people in all their humanity. I don't really want to sound grandiose or pretentious here, but we as photographers (and it doesn't really matter whether we are working at a wedding, a children's party, or as in my case, on the street) are entrusted with a sacred duty. We do seek to reach the essence of a person or other subject, to bring out the 'real' person or thing or whatever. We do seek to produce a true document to show the world (or our friends and so on). I will be the first to admit that there have been times when I may have betrayed that sacred trust. And, if I am to be totally frank here, I see images online every day that very clearly show a breach of trust sometimes amounting to gross exploitation.

I will also be the first to admit that the changing of a language, which really is a part of the culture of image making with a camera (AKA photography!) will be no easy task. I do not judge others for using those bolded and italicised words; I use them myself. After all, we all have to use a common language if we are going to understand or be understood. But I am trying to come up with new words. Like, 'I've been making photos today', rather than taking them; or 'I really think I've reached the soul of that subject' rather than capturing him or her; or 'I would love to photograph wildlife', rather than wanting to shoot animals.

And that word nailed is for me truly problematic. I don't have to learn a new word to use in its stead: I've never used it to refer to photography or anything else apart from carpentry or woodwork. It has other connotations which I have also never liked. Just goes to highlight even more clearly the importance of language and how we use it.

I don't have any answers really. I only bring this issue up because it seems that it is time for a new way of speaking about what to me is a true art form that has the power to change lives, end wars, enhance our environment, showcase the beauty in our world as well as to bring our attention to the ugliness that exists but shouldn't. In other words we are the practitioners of an honourable art or craft, and we really need to be speaking about what we do in language that does honour to, and speaks accurately about this art of photography.

But I'm just a soul whose intentions are good

Oh lord please don't let me be misunderstood

Thank you to Mr Burdon & The Animals for the snippet of lyrics from one of your great tunes.

Also a big thank you to Mr Shakespeare for the quote from Romeo and Juliet which I have taken great liberties with and paraphrased for my title. I am sure he wouldn't mind really.