Camera Shy? (Nottingham England 2013)
A huge,
ongoing point of discussion in my line of work (street and documentary
photography) are the questions: do people object to being photographed? Are we
invading their privacy/space? On and on. Good questions, of course, and all of
us need to think about them. Not just once either: we need to continue to
reflect on these and other questions as the world changes, as we change. Just
part of the work of the artist really.
Now, in this
photograph (made in Nottingham in England a few months ago) we see three young
women in school uniforms. Two are hiding behind an umbrella, while the third,
who has a smile on her face, peeks out from behind her hand. Sort of hiding,
sort of not.
In fact, the
two hiding behind the umbrella were also laughing. So, as I moved to make the
photograph, I made the judgement that they were weren’t really hiding. They
were just fooling around. So I pressed the shutter.
Of course,
most people I photograph don’t actually see me, so how can I know whether they
would object to being photographed? I do not have the simplistic approach of:
“if they don’t object, they are agreeing”, that would make it very easy
to do pretty much anything. I don’t hold at all with that idea. Unethical and
wrong.
No, it’s
more subtle than that. It is more about intuition and being fully present right
in the moment. if I am truly right there and then (as I like to say) I just
know if a person would object or would approve of being photographed.
The great
humanist photographer Abraham Menashe talks about waiting to “be invited”
to make the photograph. It’s about being there as I say, right in the moment
and suspending judgement, and waiting. I can’t count the number of times when
I’ve put the camera to my eye, framed what looks like a great photograph of a
person who hasn’t seen me, only to put the camera down again. I usually don’t
know why; it’s just happens that way. I haven’t been invited. At some level,
that person and I have connected.
So, in this
image, my Pick of the Week, it was an easy decision; the choice obvious. It
isn’t always so. But, If I am fully present, suspend judgement and approach the
work with compassion, love and empathy, then usually the answer makes itself
known. Do I always get it right? Of course not. But, like everything else in
life, it is one’s intention that is of key importance. And with practise comes
more and more success and the joy of a shared moment between me and the people
I photograph, whether they “know” I’m there or not.
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