Showing posts with label Australian Street Photographers. Show all posts
Showing posts with label Australian Street Photographers. Show all posts

Saturday, December 24, 2016

NOT A LOT OF STREET GOING ON 

Well I’ve been in India for over two months and I’ve had my “real” camera out all of yhree time. Even then I made very few  images that I would call street. 

Mostly I’m using my phone (a new tool for me) and making photos of stuff that appeals at the moment or that I tjink friends and followers would enjoy. 

Probably leaving my camera aline has to do with this particular journey being about, well actually being here. A Healing journey we are calling it. In a way I have over time come to see my street photography as my work,  my vacation, so it seems I am having what you might call a vacation. 

Still, I am learning to make photos with my phone (as well as writing blog posts like this one!). 

Anyway just a few pieces of my mind to share with you all. Thank you so very much for your support, friendship and for your presence in my life. 


Monday, August 8, 2016

Is Life too Short for Perfect Street Photography

Life's Too Short for Perfect Writing
Echuca Australia July 2009

Having heard of an interesting piece of graffiti, I went to see and photograph it. It’s a statement that reads, simply, Life’s too short for perfect writing. Seems like such a simple on the surface, but it is a deceptive idea, and one that I at least should examine carefully. First thing I would like to do, however, is change it a bit to read:

Life is too short for perfect street photography

The first thing to say is that the statement does not say that life is too short for good street photography; in my opinion there is no place for any other kind. Here good for me refers to the intention of the photographer: not all of us are gifted with a camera (though some of us can dream!). So, it is the word perfect that gives us trouble here.

Of course a thing—whether street photography or anything else—might be perfect by its nature or by the way in which it is able to express its purpose. It is the pursuit of perfection (as opposed to the pursuit of excellence: the two are not the same) that life is too short for I think.

Perfectionism is a curse! At least it has been for me. Nothing has ever been good enough; I have never been satisfied with my efforts, no matter how successful those efforts have been. Of course being cursed with perfectionism doesn’t only apply to oneself: all people and all things in one’s life are affected, and the curse rolls on and on doing its damage and preventing authenticity, full truth and life to express itself.

The other part of this statement worth looking at is Life’s too short. Life is what life is; it can be neither too short or too long;? it can only be its perfect (you see? here is a use of perfect in a natural and correct context) length. And this is precisely why it is too short for perfect street photography.

Life is for living. There is no meaning to it outside of that which we create during our time of living, and then it is only for the duration of that life (as far as we can know of course). A part of that meaning, for me as for many many other photographers, is to make photos. And it is required of us to make our photographs as good (however we define that) as we can. If our photos communicate the intended ideas in a way that our viewer can relate to, then it is perfect. There is no need to think about it anymore.

Thank you


By the way, the statement appeared at the bottom of a cafe menu scrawled onto an old iron sheeting fence behind the cafe, near the river near where we live. It, I think, refers to the untidyness of the handwriting on the sign. A sort of apology I guess. Interesting.

Saturday, June 4, 2016

Change the World: Bit by Bit, Moment by Moment

Do Not Forsake Me (Melbourne Australia July 2011)


One of the many wonderful things in my life has been the opportunity to meet and come to know so many fine people through social media platforms such as Facebook (don't let anyone tell you that social media is a waste of time or 'keeps us isolated'). And among these people are many many fine artists. Artists in all disciplines: painters, singers, musicians, songwriters, poets, short story writers, novelists, sculptors. And last but not least, I have met and come to love the work of many wonderful photographers.
Among these photographers is one I've mentioned on this blog before, Doug Berryhill. Doug is an American photographer who has been deep into documenting the people of his hometown. His photos are always finely composed, correctly exposed and all the rest. But way and far far above any technical expertise or even purely aesthetic considerations, Doug's work demonstrates a clear and compassionate understanding of human nature, and in particular the people he knows best: those who live in his community. In my ever so humble opinion, Doug's photographs will one day be recognised as not only an important chronicling of that community, but more widely as significant documents of our times.
But it is not his photography that I want to talk about here today; I want to share with you a post he made sometime recently about photography:
We have allowed the fractures within our societies to endanger our sense of a common humanity. Photography can, bit by bit, moment by moment, help to restore that. Photographs that draw me are those that compel me to see beyond the us versus them mentality.
This is as good a definition of humanist photography as you will find. And, to be honest, it is precisely what draws me to Doug's photographs. And I think it is the same for all of us: we are drawn to photos that speak to us of humanity, of people's love and joys; of their hopes and achievements; of their very 'ordinaryness'. Not that anyone is really merely ordinary of course. But you know exactly what I  mean I am sure.
And a photo doesn't have to be by a big name to have this kind of impact on a viewer either. Family snapshots for example. They bring joy, memories, smiles, tears, comfort and even happiness, to people viewing them. Then there is street photography, which for me at least is about bearing witness to, and the sharing of, the so-called ordinary moments of people's lives which go unnoticed and unremembered. A street photo can stop a viewer in their tracks as what they see there acts as a catalyst for them to feel something; what they see prompts an emotional reaction. This happens simply by them witnessing a fellow human being doing something entirely 'ordinary'.
So, that is what I try to do. I try to demonstrate the things we have in common, the things we share as human beings, by photographing individual people going about their lives. From the specific to the general if you like. As Doug said, moment by moment.
This is an important role to play, this bearing witness. It also carries with it enormous responsibility: I am required to be as honest as I can and to honour the truth as I see it without fear or favour. And, perhaps above all, I must do all of this (even to the technical side of things) to the best of my ability. If I can even for a few seconds connect you, the viewer, with the people in my photos, then I will be well pleased and I will know that I have done my job.
II will leave you with a quote (also found on Doug's Facebook page) by one of the most important photographers of all time, Robert Frank, that pretty much sums up the street photographer's job:
There is one thing the photograph must contain, the humanity of the moment
Peac