Showing posts with label couple. Show all posts
Showing posts with label couple. Show all posts

Sunday, September 21, 2014

I Will Love You Till I Die: A Street Photography Slideshow

Back in November 2012 I put together a slide show of photos from an ongoing project called Two's Company. This project is about photographing on the street two people or perhaps a person and a pet, but who are actually together. Might be two lovers, two friends, a parent and child, a child and his or her dog. You name it; as long as there are two people together, then it goes in this project's folder.

A kind of subset of this project is when the photo depicts a moment with two people who are actually a couple or who appear to be. And it is these moments, these photos that make up the slideshow. As a backing track I chose The Carnival is Over sung by one of the greatest folk groups of all time in my opinion: The Seekers. It's heart wrenching and soul enriching music, this song. 

Anyway, here is the slideshow again for your enjoyment. May it give you a moment's pleasure and if it brings a tear to your eye or a warmth to your heart, then I will consider this a good day!
Peace

Wednesday, June 11, 2014

PICK OF THE WEEK: Some scenes just make you sad


Self Portrait for Two (Melbourne Australia June 2014)

On the face of it you might not think there is much in this image to make me or you or anyone sad. Especially, you might tell me, given the number of images we are seeing everyday of people who are homeless, people who are experiencing trauma or who are in some other way vulnerable or disadvantaged. And of course, on the face of it, you would be totally correct: images of those kinds of things are distressing and make me, and you, and most likely a lot of people, very sad. Hopefully they also serve as a call to action for some of us. Hopefully photography in that context can contribute to change.

Sadly, however, far too many of the photographs I see of homeless and other disadvantaged and vulnerable people have an aura of exploitation about them. Oftentimes for so-called street photographers, these groups provide little more than "easy targets" for a "gritty and real street shot". In reality they provide nothing more than a kind of trophy for the photographer. But that is another story for another day.

Back to this photograph, made on one of the busiest corners in the CBD of Melbourne. These two people are (obviously) making a self portrait of themselves. They are standing diagonally across the road from the beautiful and historic Flinders Street railway station. A must see for tourists to the city. 

So, what is so sad here? Surely this is simply two tourists making a souvenir photo of themselves? And they are smiling aren't they? All good questions. Again, on the face of it, nothing is untoward here. And really even not on the face of it, I can't say there is anything untoward here. 

It's just that I watched them for a while as they were setting up the camera and tripod, and then the guy arranged his partner n just the right place, set the timer and joined her on the other side of the camera, and the photo was made. As they went about this process it was as if they were in a little world of their own. The crowds flowed around them, nobody (except me) even glancing in their direction. And, more poignantly, they didn't look at anyone else either in the whole time I was watching them and then making this photograph. I was about two meters away from them for five minutes and they didn't once look my way. I am quite sure they didn't even see me.  It was if they truly were alone on this busy intersection.

There just seemed to be something sad about the whole scenario. To me anyway. A sense of loneliness took hold of me as I watched them. And, really, that's all I can say. I don't have an explanation for why I felt the way I did. I mean, I often pick up emotions, become affected by what I see and feel on the street. And it's not always possible to pinpoint what causes a feeling or a sense.

Anyway, a good street photograph is one that causes an emotional reaction in the viewer. And it could be added that an even better street photograph is one that causes an emotional reaction in the photographer. One thing I can say is this: if sometimes I do have an emotional reaction to a scene I witness, then it suggests that at least some viewers will also have an emotional response of some kind. And, to me, that is a very good outcome indeed.

Peace






Monday, June 9, 2014

BEING SEEN: Sometimes it Makes the Moment

Smiling for the Camera (Melbourne Australia June 2014)

One feature of my street and documentary work is that I don't go along with a lot of the current "wisdom" about how it's done, how to behave on the street and the rest. Of course, we are all unique beings and each need to learn our own way, all need to find our own way of living and our own vision.

Take this photo for an example. Made on my first outing into the CBD of Melbourne this week. I saw this couple who, when I looked, were in their own little world. I made one image. And, rather than walk quickly away (as per received wisdom) I walked just a couple of steps and I waited with the camera to my eye. Then they both turned and looked at me with these "poses" (sorry another bad word in some circles), and I just instinctively pressed the shutter. And, here you see the result: a lovely portrait of a couple happy with themselves and each other. And, importantly, with being photographed (oops, another myth: people hate being photographed).

The first image I made works too, I think. An unguarded moment that just asked to be preserved. Here it is:

A Loving Couple (Melbourne Australia June 2014)

Now, these photos are very different: in the second one, the couple is completely unaware (at least on a conscious level) of my presence; in the first they have actually seen me. And, yes, it is true to say that my presence and my camera has caused a changed in their behavior. They are in a sense posing for the camera.

So, they are different photos. But, is one better than the other? I don't mean in technical terms; that's an area for someone else to debate. You see, I don't believe for a minute that the first image here is more or less of a valuable human moment than the second, despite the second being the more "candid" one in the accepted sense.

I think candid is a misunderstood, or rather an incompletely understood, concept in today's world of street photography. The common perception is that it means that the subjects of a photograph are completely unaware of the camera's presence. Of course that definition is valid in itself, but, to look at the dictionary definitions of the word, then the meaning is not so black and white (no pun intended. But it is funny though LOL).

The Free Dictionary (which I like to use for obvious reasons) includes this:
Candid as an adjective means:
      1. frank; outspoken; open and sincere
      2. free from reservation, disguise, or subterfuge; straightforward
   

The definition also includes the idea of a candid photo being "unposed". And, it is true that these two struck a kind of pose when they saw me and my camera. So, for many the second image is a candid, while the first is not. Okay, they are posing. But, really, don't you think it's a frank and open one? Do they seem sincere to you? Do they look to you to be acting in an unreserved manner and do they appear to be free of disguise?  Have they taken what you wold think of as a straightforward pose?

The answer to all these questions for me is a big yes.

Also, and as importantly, my approach to this scene (as it usually is) was a candid one. It is I think a matter of one's intention. I mean by this that I don't intend to have people see me or pose or change their behavior.  My attitude and approach is frank and open; I do not hide; I do not engage in "stealthy" behavior or "subterfuge" of any kind. I always try to be straightforward in both my way of being in the street and in my dealings with the people who do see me, and most of the time they are the same with me! The bottom line is that I always endeavor to be frank, outspoken (as in honest and speaking my truth), open and sincere in the way I approach my work and the people I am fortunate enough to photograph.

Of course, this is all just my opinion. But, it is my way of working and it does, well, work pretty much all the time. I think today's two photographs both have something to offer.  Yes, they are different, but they are both candid in their own way. Anyway, isn't it our role as street and social documentary photographers to record the so-called ordinary people going about their so-called ordinary lives?

Well, I think it is.

Peace

Wednesday, June 4, 2014

PICK OF THE WEEK: Lisbon revisited



Concentrating Couple (Lisbon May 2013)

No, sadly I am not actually back in Lisbon. What I am doing is revisiting my work from my ten weeks there last year. Imagine. A year has gone by since I made this photo. Hard to believe sometimes. But, it's been a good year and the trip goes on!

I was very busy during our stay in Lisbon. I was on the street pretty much most days. Not every day: after all even I have a day off sometimes and there are things to see and do there that didn't involve street photography. But, yes; most days I was out walking with my camera. What a city to be in; what a city for street photography. An interesting aside: my friend John Free the well respected and greatly gifted social documentary and street photographer, is in Lisbon right now conducting workshops. Can't wait to see the photos he makes there.

Anyway, this week's pick is a bit of a favorite. I like this couple for some reason. They seem to engrossed in whatever it is they're reading. I was tempted to leave this one in color; the guy's tattoos are pretty bright and stand out. In the end that's why I converted to black and white. I wanted the eyes of the viewer (that's you!) to be drawn to the two people themselves. I hope it works.

Meanwhile, I will get back to my Lisbon images. See what else I can find.

Peace



Wednesday, April 16, 2014

PICK OF THE WEEK: A Little Light Flirting

A Little Light Flirting (Perth Australia December 2013)

I've recently started reading a little about the French Humanist photographers. In a nutshell, after World War II, French photography began to focus on the "ordinary people" going about their daily lives. It was a way to celebrate humanity, to find a new view of the world after the horrors of the war. Of course, there is a bit more to it than that: for example there are several "categories" or types of images that are defined as being humanist photography as expressed at that time in France.

At this stage, I don't feel I know enough about that particular movement to write too much. But, for this week's Pick I have chosen an image which fits nicely into one of the "categories". While I can't for the moment remember the exact label used, the category includes images of young people courting (I think that this could be where the tradition of photographing people kissing in Paris began).

It is a joyous sight to see. Two young (or not so young of course) people courting or, as we like to say, flirting. These two are clearly attracted to each other and the image appears to suggest that they are going to be much more than friends before too much longer.

Of course, like any photograph, this one is open to interpretation; the "real" story could be totally different from the romantic one I have presented here. But, to me at least, it's pretty plain to see what is happening here.

Humanist photography focuses, obviously enough, on humanity. Humanity and the way we behave, the way we communicate and the stuff we do in our so-called ordinary lives. Well, as you know, I am famous for saying that there are no ordinary moments. Nor are there any ordinary people. In fact this photograph records what to me is a really rather special moment: that small space and time when two people find each other, when they both realize that the attraction is mutual, and when the possibilities, at least for that brief interval of time and in that space (which for the moment has become all their own) seem to be endless.

Peace

Monday, December 23, 2013

Couple Lunching: Just Another Ordinary Moment?

Couple Lunching by Pauls-Pictures

Couple Lunching, a photo by Pauls-Pictures on Flickr.
Yes it is, isn't it? An ordinary moment I mean. Mind you, eating lunch can be serous business. At least these two are really into it in a serious way.
But, yes it is an ordinary moment. Or, as I have often said or written: a "so-called ordinary moment".
In reality it is a rather special moment. I mean by this that it is a moment that, had it not been for me passing by with my camera, would not have been noticed (by anyone at all really), would be soon forgotten (by these two as they rushed away after their clearly hurried lunch break), and would certainly have gone unrecorded.
Of course it is not simply the act of recording a moment that makes it special. But look at this photo more closely. Who are these people? What is going on? Why do they seem so serious? Are they as alienated from each other as the photo suggests? Or are they just really hungry or in a hurry? And, where are they? What are they doing there? (aside from eating that is).
Questions, questions, questions. And, to be honest, there are, nor will there ever be, any answers we will ever be able to provide for these questions.
And, that is just one of the beautiful and interesting things about this photograph (and about street and social documentary photography as a whole). We are witnesses to a mere slither of time in the lives of this couple (if they are in fact a couple. Another question). In that sense we have been able to share that little slice of life with them.
And it is this that is such an honour, such a privilege for me, and for you the viewer. A connection has been made; a connection that will always be there at some level and to some degree for me and for all of you who view this photograph.
It's a bringing together really, don't you think? A joining of souls, a unification of me, these two people eating lunch, and you, the viewer.
This is the point of what I do as an artist. And I am grateful
Peace!

Sunday, May 22, 2011

Spilling Wine



I was once, I was strolling one very hot, summer's day
When I thought I'd lay myself down to rest
In a big field of tall grass.
I lay there in the sun
And felt it caressing my face
As I fell asleep
And dreamed.
I dreamed I was in a Hollywood movie
And that I was the star of the movie.
This really blew my mind,
The fact that me,
An overfed, long-haired, leaping gnome,
Should be the star of a Hollywood movie.
Hmm, but there I was.
I was taken to a place,
The hall of the mountain king.
I stood high upon a mountain top,
Naked to the world,
In front of every kind of girl.
There was long ones, tall ones, short ones, brown ones,
Black ones, round ones, big ones, crazy ones.
Out of the middle
Came a lady.
She whispered in my ear
Something crazy.
She said,

"Spill the wine, take that pearl.
Spill the wine, take that pearl.
Spill the wine, take that pearl.
Spill the wine, take that pearl."

I could feel hot flames of fire roaring at my back
As she disappeared,
But soon she returned.
In her hand was a bottle of wine,
In the other, a glass.
She poured some of the wine from the bottle into the glass
And raised it to her lips
And, just before she drank it,
She said,

"Take the wine, take that girl.
Spill the wine, take that pearl.
Spill the wine, take that pearl.
Spill the wine, take that pearl."

Take that pearl, yeah.
It's on girl, all you gotta do is spill that wine, spill that wine.
Let me feel, let me feel fine, yeah, yeah.
Spill the wine, spill the wine, spill the wine, spill the wine, spill the wine, spill the wine, spill the wine, take that pearl.


With huge acknowledgement of Eric Burdon. Thank you for the music, man